A Tale of Two Spaces: Chamber Concerts and Sabhas

Indian classical music and dance have thrived for centuries, carried forward by a deep-rooted system of Sabhas that uphold artistic excellence. These institutions have long been the backbone of the classical arts, providing a structured learning environment and preserving historical continuity. However, in recent times, chamber concerts have been making waves, drawing larger and more diverse audiences. Namba Aathu Katcheri (NAK) is one of the frontrunners of this resurgence, and this shift has sparked conversations.

Traditionally, the Sabha audience comprises connoisseurs who appreciate the technical nuances of music and dance. These performances maintain a certain rigor, focusing on high artistic standards. However, this niche appeal has led to a possible stagnation in audience turnover, with the same dedicated listeners attending year after year.

On the other hand, chamber concerts—especially thematic ones like Namba Aathu Katcheri, with a strong social media presence—are attracting larger crowds both online and offline. These concerts are inherently janaranjagam (more engaging and accessible), creating a closer bond between the performer and the audience. Here, the atmosphere is informal, allowing even those with little technical knowledge to connect with the performance. As a result, the reach of chamber concerts has expanded beyond traditional Sabha-goers, bringing in more younger audiences and first-time listeners.

It is easy to see why some may view chamber concerts as a disruption to the traditional concert-going experience. However, history shows that such shifts in format are nothing new. Chamber concerts have existed since the time of kings, not just in India but across cultures worldwide. What has changed is their increased visibility and popularity, thanks to modern promotional strategies.

Chamber concerts offer a bridge to classical appreciation. Many new listeners who start with thematic concerts eventually develop an interest in deeper, structured performances. Just as cricket evolved from five-day Test matches to 60-over and 20-over formats without eroding the essence of the game, chamber concerts and Sabhas can coexist and even reinforce each other.

To ensure that both formats do that, a balance must be struck. In an age dominated by social media, Sabhas can no longer rely solely on word-of-mouth. Engaging online content, live streams, and strategic digital promotions can help attract and retain audiences. Chamber concerts thrive on themes that provide fresh perspectives. Sabhas can experiment with curated, focused performances that appeal to modern audiences while maintaining artistic integrity. Many younger listeners hesitate to attend Sabha concerts due to a lack of understanding. Pre-concert talks, interactive sessions, and outreach initiatives can help cultivate a deeper appreciation among new audiences. Sabhas can collaborate with smaller ensembles to create hybrid experiences, blending structured performances with accessibility.

The author is a Carnatic music enthusiast and the brain behind Namba Aathu Katcheri.